Hi everyone! Very privileged to be asked to take part in Sally Cronin’s weekly interview series, Open House. Sally’s four unique questions deserved some well-thought-out answers, so I opted to treat each response as its own piece of writing. This took a fair chunk of time to complete (on top of writing a new story every day!), so I hope you won’t mind me presenting my responses in four distinct parts. I’ll post half of the response here and, if you would like to keep reading, then you can click the link below and pay a visit to Sally’s incredibly active blog, Smorgasbord. Sally’s blog was recently nominated for Best Overall Blog by the good folk over at The Blogger’s Bash to be in held in London on May 19. I hope you enjoy this four-part series and best of luck to Sally!
PART 4 – MOVIE REVIEW
Donnie Darko (2001)
Written and Directed by Richard Kelly
Jake Gyllenhaal, Drew Barrymore, Patrick Swayze, Maggie Gyllenhaal, Mary McDonnell, Holmes Osborne
The atmospheres portrayed in my favourite films heavily influence the stories I write. It’s an inspirational feat when all of the elements of a movie come together, leaving you with an often inexpressible emotion long after the credits have finished rolling. Richard Kelly’s 2011 debut film, Donnie Darko, was the first movie I watched that showed me the power of a well-designed film while teaching me that I tend to gravitate towards narratives exploring the less illuminated aspects of our existence.
The opening scene establishes that the thought-provoking events about to unfold will take place in the leafy neighbourhood of Middlesex County, Virginia. The film’s central character, Donald ‘Donnie’ Darko, wakes up after a night of sleepwalking next to his bike in the middle of a winding road, chuckling as he overlooks the ominous mountains and valleys below. An eighties timestamp is masterfully imprinted onto the film when Echo & The Bunnymen’s, The Killing Moon, becomes the soundtrack to which Donnie calmly rides his way back home. A series of beautifully directed slow-motion interactions introduces us to Donnie’s stable, nuclear family consisting of his mother, father an older sister and a younger sister.
The intense elements of human relationships are explored throughout the film, constantly making it difficult for the interdependent narratives to fit neatly into the “science-fiction psychological thriller” genre under which the movie is often filed. The writing comes into its own when events that would typically be the focus of any other Hollywood production of the same genre fade away into the background, guiding your curiosity towards the enigmatic relationships transpiring between the characters. Events such as the giant, talking bunny rabbit that visits Donnie in the middle of the night to inform him the world is going to end in 28 days, 6 hours, 42 minutes and 12 seconds, become mere catalysts for the fact that every character is about to find themselves in an alternate, parallel reality, where their desires and dreams are eventually exposed and poetically shattered.
CLICK HERE TO CONTINUE READING OVER AT SALLY CRONIN’S BLOG, SMORGASBORD!
My name is Gregg Savage and, every night when the house is quiet, I write and publish a free children’s story at dailytales.com.au for you to share and enjoy.
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Without question, Australian children’s author and illustrator, Shaun Tan. Shaun’s unorthodox storytelling is what initially got me hooked on wanting to write children’s stories. I am in awe of his ability to craft narratives that border on poetry while telling an alternative, yet parallel story with the accompanying pictures. Although hope is a recurring theme in his stories, I also admire the courage Shaun has to explore some darker topics such as grief (Tales from Outer Suburbia), depression (The Red Tree) and displaced people (The Rabbits (illustrator) & Eric), subjects not usually associated with your typical children’s picture books. As a teacher, it’s refreshing to delve into these relatable and often ignored themes through Shaun’s compelling storytelling. Shaun’s style involves using words and phrases that can be taken both literally and metaphorically, so it’s a great feeling watching the students have a lightbulb moment when they figure out the “actual” plot to the story.
I was introduced to the mesmerising stories of children’s picture book author, Margaret Wild, by my English lecturer in my first year at university. As a group of students in our late teens and early twenties, we thought we weren’t too unreasonable when we let out a collective groan after the lecturer informed us she was going to read a children’s storybook before each of her presentations. Without hesitation, the lecturer projected a copy Margaret Wild’s, Woolves in the Sitee, on the screen at the front of the auditorium and proceeded to read an illustrated children’s storybook focussing on the struggles a young boy attempting to survive in a post-apocalyptic world…